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John Waters has, of course, been over some of this ground before many of his films show a surface of inane suburban normality, pierced by the secret depravities of his inhabitants.
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#SERIAL MOM 1994 FILM MOVIE#
Like " Clifford," this is a movie where the comedy doesn't work because at some underlying level the material generates emotions we feel uneasy about. She gets a weird light in her eyes that I guess we're supposed to laugh at, but, gee, it's kind of pathetic the way she goes into murderous action. The movie shows her triggered by passing remarks (a garbage man says "somebody ought to kill" a neighbor woman who refuses to recycle). Turner's character is helpless and unwitting in a way that makes us feel almost sorry for her - and that undermines the humor. Watch "Serial Mom" closely, however, and you'll realize that something is miscalculated at a fundamental level. In the classic horror films, we're amused because the evil is so stylized we can't take it seriously Vincent Price licks his lips and rolls his eyes and intones his pseudo-Shakespearean imprecations, and his behavior takes the edge off his actions. In the slasher movies, the humor comes because the killers are seen as the victims of their programming, repeating the same obsessive behavior over and over again we laugh because we see their mistake. But in a comedy they need to extract some sort of zeal and manic joy from their atrocities they have to give the audience permission, for the time being, to suspend the ordinary rules of good conduct.
#SERIAL MOM 1994 FILM SERIAL#
All serial killers are insane (at least I hope so). In "Serial Mom," though, it's not so much that Turner's performance doesn't succeed, as that there's something sad about it that works against the humor. One thing I like about Turner is her willingness to tackle unlikely roles her agent probably warned her against Danny DeVito's "War of the Roses," for example, but she and the equally fearless Michael Douglas took that exercise in matrimonial bloodshed and made it ghoulishly effective. He has the look and feel of their middle-American neighborhood just right, but the movie's comic premise doesn't go anywhere with it.īeverly, the Serial Mom, is played by Kathleen Turner, a brave actress who has ventured here where several other actresses reportedly feared to tread.
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We recommend using public transport in peak times.There is even something about the way he shows sunlight bathing a breakfast table that's amusing his Sutphins look like they live in a cereal commercial.
#SERIAL MOM 1994 FILM FREE#
There is also limited free parking surrounding the building on Liversidge Street. PARKINGThere is dedicated visitor parking on the premises between McCoy Circuit and Ellery Cresent (paid parking, up to three hours). To use this service to visit the NFSA, alight at London Cct after Edinburgh Ave and proceed 600 metres along Gordon Street to the entrance on McCoy circuit. Route R6 runs between Woden Interchange and City West approximately every 10 to 20 minutes from 7.00am to 9.00pm weekends and public holidays. The free Culture Loop shuttle bus stops at NewActon (on Edinburgh Avenue), within walking distance of the NFSA.īY BUS - WEEKENDSNote: the NFSA is open daily 10.00am – 4.00pm (except Christmas Day and New Year's Day), and outside those times for special film screenings and events – see our upcoming events calendar. Transport Canberra's Routes and Timetables site can help you find the most practical way to our venue (and others). Bus alights at Liversidge St behind the NFSA.
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Route 53 runs between National Museum Lennox Crossing and Dickson Shops Cowper Street on average every 30 minutes from 7.00am to 10.10pm weekdays. Route R6 runs between Woden Interchange and City West approximately every 10 to 20 minutes from 5.30am to 11.00pm weekdays. BY BUS - WEEKDAYSNote: the NFSA is open daily 10.00am – 4.00pm (except Christmas Day and New Year's Day), and outside those times for special film screenings and events – see our upcoming events calendar.